Monday, September 21, 2015

Be More Bookish - Week 7, Assignment 2

So I guess the main point of contention I have with these articles is that the one from 2012 (Who's buying teen books? Lots and lots of adults.) from the Christian Science Monitor feels pretty outdated. The question of whether lots of adult are reading YA novels may have been a burning one in 2012, but in 2015 it's not much of a conversation as the answer is an obvious and overwhelming "yes." To be honest, I don't think I ever stopped reading YA, and I wasn't even really aware that it was a classification until I started working at the library. The first YA series I started reading after entering BCPL was The Hunger Games, and like everyone I was hooked pretty much immediately. More than the author of the article herself, I relate strongly with Angelina Benedetti, who's quoted in the article reminiscing about when she first realized her mistake in ignoring YA and discovered that there is something extremely satisfying about reading it. Of course, the author goes on to say that one of the reasons why adults might enjoy Young Adult fiction is because it presents less of a challenge than a literary novel and may "offer a relaxing experience for an adult reader tired from commuting, working all day, and taking care of kids," which is endlessly condescending and makes it difficult for me to lend her writing credence.


It's interesting that the two articles I read could have been written in direct opposition to one another. Meg Wolitzer, the author of the New York Times article A Not-So-Young Audience for Young Adult Books, approaches the topic from the perspective of someone who enjoys and has consistently enjoyed YA novels her entire life. Wolitzer even goes so far as to quote from another article written by Ruth Graham, claiming that reading YA as an adult is something worth being ashamed about, so even though Molly Driscoll didn't write the article that Wolitzer is quoting, she and the real author obviously have a lot in common in their opinions of the topic. Wolitzer's evidence is compelling; she writes about the "kid lit" book club she's in, cites the impressive (and often literary) careers of the other members, and points out the growing number of so-called adult authors that have written books aimed at YA readers. Her goal is to demonstrate that Ruth Graham's hasty dismissal of YA books is an outdated point of view based on misinformation and unsubstantiated criticisms. Perhaps the most flawed argument that she draws attention to is Graham's notion that, because we can't read every book before we die, our time is wasted on YA. For my perspective, her arguments falls into the same trap that many critics and readers do, which is to operate under the assumption that there is some sort of master list of literature that is worth reading. If you ask me, a book's worth is entirely based on what the reader gets out of it. 

Saturday, September 19, 2015

Be More Bookish - Week 7, Assignment 1

UH this is amazing. Can we just do a bunch of these?


Be More Bookish - Week 6, Assignment 3

The three sub-genres I wanted to examine closer are dystopian fiction, chick lit, and Christian urban fiction. I don't have any experience with these genres, the one possible exception being dystopian fiction since I have read The Hunger Games. Still, I really enjoyed finding some examples of these types of books to check out in the future.

Dystopian fiction:
The Windup Girl by Paolo Bacigulpa                          Oryx and Crake by Margaret Atwood












1984 by George Orwell

Chick lit:
Jessica Z by Shawn Klomparens                         My Life Next Door by Huntley Fitzpatrick











One Day by David Nicholls

Christian urban fiction:
And You Call Yourself a Christian by E.N. Joy               The Choir Director by Carl Weber











Momma I Ain't No Saint by Angel


For the genre mashups section of this assignment, the first thing that came to mind was Joss Whedon's prematurely cancelled space western Firefly from 2002. The show explored the ideas of rebellion vs. incorporation by including former soldiers in the cast who had fought as Browncoats (rebels) in the war against the Alliance (union) to avoid their home worlds coming under the Alliance's control. Many of the planets that the crew frequented were on the Outer Rim, barely developed frontier moons with a small number of settlers trying to scratch out a living from the dirt. The crew of the ship Serenity were noble criminals who found ways to turn a profit while still standing up for themselves and the underdog, an idea which is certainly reminiscent of plenty of Western fiction.


Continuing with the Western theme, I've recently been reading and enjoying The Six-Gun Tarot by R.S. Belcher, a genre mashup that takes the occult horror of the H.P. Lovecraft mythos and sets it in a small town in the Old West. This has been really working for me, as the horror and supernatural elements create new and interesting challenges for these somewhat prototypical Western character to face, but it still pays homage to the John Wayne or Clint Eastwood figure that the reader knows is going to manage to come out on top. All of the superstition and folklore that we expect from Western books is here, but intertwined with the dark, twisted flavor of H.P. Lovecraft.

Thursday, September 17, 2015

Be More Bookish - Week 6, Assignment 2

The Prezi chart is really well done, and I can definitely see it being a valuable tool for teaching genres and sub-genres. The only thing I was surprised to see was that the Native American sub-genre was categorized under Westerns, and the example given was War Dances by Sherman Alexie, a collection of short stories, essays, and poems examining what it means to be a Native American today. I can't say I agree with the classification, as to me it hearkens back to "classic" and uncomfortable depictions of Native Americans in old Western films and books. Sherman Alexie in particular, I would argue, writes literary fiction occasionally bordering into offbeat humor with some elements of magical realism or surrealism. Of course, that's a minor grievance with the exercise and the Prezi display can hardly be faulted for how we classify certain authors and sub-genres.

Wednesday, September 16, 2015

Be More Bookish - Week 6, Assignment 1

I think Romance is probably the only section in our library that I've never taken a book off of. I try not to be prejudiced, but I think it's pretty clear that I do suffer from some preconceptions and bias in the romance department. I will say, though, that even with my preconceptions and bias and limited knowledge I still managed to be surprised by the sheer amount of



























that they talk about on Heroes and Heartbreakers. That's not to say that that's all that's offered on the website; I was also pleasantly surprised to read a lot of articles and interviews dealing with some very poignant current events and addressing sex positivity and body shaming. The sex positivity articles were both the least and most surprising things I noticed while following the blog: least because, well, everything I read was about sex, but also most because I wasn't expecting the tone of acceptance. For a genre that seems to feature mostly straight heterosexual coupling between strong (time-tossed) men and frazzled (yet sensual) women, the community is surprisingly open minded.  It was nice to see, and I will freely admit that I was also surprised and impressed with the level of discourse I saw in the articles. I definitely fell victim to my prejudices going into this assignment back in week 1, but I'm happy to report that I often found myself genuinely absorbed in the articles and summaries I was reading on Heroes and Heartbreakers. I'm looking forward to giving some of these books a chance.

Saturday, August 8, 2015

Be More Bookish - Week 5, Assignment 3

The cover design for Infinite Home, the new novel by Kathleen Alcott that came out in hardback on August 4, was the first thing that drew my attention. I actually pick a lot of my reads based off of cover art alone and the mix of color and patterns was what got me to click on this bad boy. In spirit it reminds me of A Long Way Down by Nick Hornby. Infinite Home follows a cast of misfits and outcasts who share an apartment building and find themselves facing eviction by their deceased landlady's estranged son after he inherits the building. Not only are these characters underdogs, I think a lot of the appeal comes from following a colorful cast of characters with a very relatable goal. The fact that it takes place in Brooklyn, NYC is a quick draw for a lot of readers, as the hip, artsy nature of Brooklyn has become almost legendary in our current culture. As the Amazon blurb says: the characters go on a journey together trying to find their new home and senses of purpose, and that hopefully promises a pace that won't stagnate. Overall, I think the appeal of this title stems largely from the implied (possibly dark) humor, the varied and interesting characters, the almost universal struggle of being unable to afford to live where you live, and how dynamic the plot seems.

Friday, July 31, 2015

Be More Bookish - Week 5, Assignment 1 & 2

When I first started following Early Word back in week 1, I was really excited by the publisher-librarian connection. I touched on it briefly in one of my first entries, but as someone with aspirations of publishing this kind of interconnectivity is my favorite. Basically, Early Word is the best and I've caught myself losing track of time while browsing on more than one (or ten) occasion(s). In addition to the publisher-librarian aspect, I've found it a really invaluable tool for what to look out for in terms of upcoming high-request material. I also can't stress enough how nice it is to frequent a blog that doesn't just give reviews of books but also talks about other forms of media, such as movie adaptations or television appearances by authors. For example, yesterday I got pretty psyched when I saw the write up about Alison Bechdel's appearance on Late Night with Seth Meyers, which included a performance by the cast of the upcoming Broadway adaptation of her graphic novel Fun Home. It's that kind of broadening focus that I'm looking forward to seeing in library models (not just ours, but all over the world) as we continue adapting and moving forward.

There seems to be a pretty good mix of what is popular at our branch. There are always people coming in and requesting new material, but for the most part it's for the four or five most popular new titles according to the New York Times or other well-known sources. A lot of that is informed by upcoming theatrical releases. I just helped a patron trying to find Steve Jobs' biography by Walter Isaacson a few minutes ago; she wanted to read it before the movie came out. There's also a high demand for interesting nonfiction, suggesting that our patrons like to challenge themselves. One of our highest circulating displays is a rotation of new nonfiction books selected by staff, and we try to keep it stocked with diverse topics. If they don't have something specific in mind, many of our patrons make a beeline right to the Staff Recommendations display. Oftentimes they're willing to check a book out based on who recommended it.